I must admit to having fun while painting with encaustic though at times it is a daunting task to forget the process while using so many tools, electrical wires and heavy duty extension cords everywhere as well as so many pots of paint, sharp ceramic instruments, irons, the list is too long. As time has passed I am freed, most of time, to pursue the "subject matter" that I'm exploring. It is so difficult not to blown off course by process experimentation. Especially since I've been teaching other artists how to use this method of painting. The workshop and classes are great and as I've said before I learn alot.
It is so interesting to me that my path has now led to the incorporation of "real" images though I still vacillate between pure abstraction and shall I call it semi-abstraction. Yes I am playing with terms knowing that most will say all art is abstract. But you get my meaning. Using the silk organza photographs in my work give it a new quality that I quite like. I have now spent many hours photographing winter trees for future incorporation.
Above is a photo of some of the encaustic paintings I recently delivered to Rick and Dave at Griffith Gallery in Pelham, Alabama. Rick made the photo for me after he framed some of paintings to hang. I often say it and will say again my nearly eight relationship with the Gallery is stellar. I'm lucky to work with great gallery owners who send me commissions of which I am very appreciative. Thanks guys!
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